do not know if you have never been to the museum Marmottan in Paris. Located in a place away from the spotlight, this little gem - it contains the most 'important collection in the world of work by Claude Monet - and' the gateway to the world the impression. It 's just there,' in that space of stillness and light, that all of a sudden, the color around the visitor takes shape, revealing the Pont Japonais with its Nynpheas heated by a warm Soleil Levant.
Li 'those strokes, which distracted the eye, schematic and rational seem insignificant and trivial aftermath of a brush too load, merge and find themselves part of the whole, giving rise to the vortex of emotions and feelings that give each work the dignity 'of a work of art. This same
and 'living the experience one who tries to immerse themselves in the life of the "pull" the new play by Emma Dante, which debuted at the Teatro Mercadante di Napoli and now is preparing to turn to Europe.
Like the Pont Japonais is revealed only to those who, free from all prejudices, it stops to "look , the Pulle who confess and 'willing to listen, his heart in his hand.
There 's a lot of life on the stage, the real life, made of high tensions and emotions, but also of repetitiveness', obsession, fear and bewilderment. There are the man's dreams, nightmares, neuroses and obsessions. And then there 's also the music, the man inside and out, manage time and gestures.
As the strokes of the Nympheas, in The "pull" every sound, every gesture, every color loses its individuality 'to blend in and become an indispensable part of all this massive fresco, once again, our Emma paints, leaving us open-mouthed, with a sincere emotion interior.
Tennessee Williams wrote in the preface to The Rose Tattoo: "... the tragic playwright in the tradition offer us a vision of certain moral values \u200b\u200bin violent juxtaposition. Because 'we do not participate, except as spectators, we can contemplate clearly within the limits of our emotional equipment. These people on stage do not send us back our eyes. We do not have to answer their questions they 'give no sign of being their company, they 'have to compete with their virtue' they 'resist their offenses. All of a sudden, for this reason, we can see . "(SL)
